Built at the Museo Universitario Arte Contemporáneo (MUAC) in Mexico City as part of the first exhibition of Zaha Hadid Architects in Latin America (20.10.2018 - 03.03.2019), KnitCandela is an homage to the famous Spanish-Mexican shell builder Félix Candela (1910 - 1997). It reimagines his spectacular concrete shells through the introduction of novel computational design methods and the KnitCrete formwork technology.
The shell’s dynamic geometry is inspired by the fluid forms of the traditional and colourful dress of Jalisco, Mexico. The builders’ nickname for the project was 'Sarape', which is a scarf or poncho with a stripe pattern. The shape also pays homage to Candela’s famous restaurant at Xochimilco, a trope he repeated in several subsequent projects.
While Candela relied on combining hyperbolic paraboloid surfaces (or “hypars”) to produce reusable formworks and thus reduce construction waste, KnitCrete allows for the realisation of a much wider range of anticlastic geometries. With this cable-net and fabric formwork system, expressive, freeform concrete surfaces can now be constructed efficiently, without the need for complex moulds. KnitCandela’s thin, doubly-curved concrete shell with a surface area of almost 50 m2 and weighing more than 5 tonnes, was applied on a KnitCrete formwork of only 55 kg. The knitted fabric of the formwork system was brought to Mexico from Switzerland in a suitcase.
Designed and constructed by multiple teams in Europe and Mexico, the realisation of KnitCandela is the result of a collaborative effort that harnessed collective expertise in computational design, engineering and fabrication. The architectural design is the latest expression of the evolving search of the Computational Design Group of Zaha Hadid Architects (ZHCODE) for designs that utilise structural and constructional features to enhance the spatial experience of the user. For the realisation of this expression, the Block Research Group (BRG) of ETH Zurich introduced the KnitCrete formwork technology and developed the structural design and construction system. Architecture Extrapolated (R-Ex) managed the execution of the project on site in Mexico City as part of its continued engagement in the digitisation of building trades in Mexico.
KnitCrete is a novel, material-saving, labour-reducing and cost-effective formwork system for the casting of doubly curved geometries in concrete. The KnitCrete technology is being developed at ETH Zurich by the Block Research Group in collaboration with the Chair for Physical Chemistry of Building Materials, as part of the Swiss National Centre of Competence in Research (NCCR) in Digital Fabrication.
KnitCrete formworks use a custom, 3D-knitted, technical textile as a lightweight, stay-in-place shuttering, coated with a special cement paste to create a rigid mould, and supported by additional falsework elements such as a tensioned cable-net or bending-active splines. Compared to conventional weaving, knitting minimises the need for cutting patterns to create spatial surfaces, allows for the directional variation of material properties, and simplifies the integration of channels and openings, for example, for the insertion of additional formwork elements, insulation, reinforcements, electrical components and technical systems for heating and cooling.
The hybrid and ultra-lightweight KnitCrete formworks are thus easily transportable, reduce the need for additional supporting structure and scaffolding, and simplify the logistics on the construction site.
The 50 m2 of textile shuttering of the formwork for KnitCandela is made up of four long strips ranging from 15 m to 26 m in length. Each of the four pieces is a seamless, double-layered textile produced in one go. The two layers of the textile fulfill different tasks. The visible inside is an aesthetic surface that displays a colourful pattern and reveals traces of the supporting cable-net falsework system. The backside fulfils technical needs by including features for inserting, guiding and controlling the position of additional formwork elements.
The pockets created between the two layers as part of the spatial knitting process are inflated using standard modeling balloons. These inflated pockets become cavities in the cast concrete, forming a structurally efficient waffle shell without the need for a complex, wasteful formwork. On the technical side of the textile, the pockets have different knit densities to control the inflated shape and openings for the insertion of the balloons, such that differently sized cavities can be created with one standard balloon size.
The interplay between the soft, warm, colourful fabric on the inside of the shell and its hard, cold concrete exterior is visible from all viewing angles. The stripe pattern visualises the short rows typical of the knitting fabrication process and expresses the radial symmetry of the shape. The pattern along with the simultaneous visibility of the soft inside and the hard outside of the shell, enhances the spatial experience of the curvatures of the shape and the space it defines.
BRG & ZHCODE with R-Ex
- Block Research Group, ETH Zurich (BRG)
- Zaha Hadid Architects Computation and Design Group (ZHCODE)
- Architecture Extrapolated (R-Ex)
- ZHCODE: Filippo Nassetti, David Reeves, Marko Margeta, Shajay Bhooshan, Patrik Schumacher
- BRG: Mariana Popescu, Matthias Rippmann, Tom Van Mele, Philippe Block
- BRG: Mariana Popescu, Tom Van Mele, Philippe Block
- Chair of Physical Chemistry of Building Materials, ETH Zurich: Lex Reiter, Robert Flatt
Fabrication and construction
- BRG: Mariana Popescu, Matthias Rippmann, Alessandro Dell’Endice, Cristian Calvo Barentin, Nora Ravanidou
- R-Ex: Alicia Nahmad Vazquez, Horacio Bibiano Vargas, Jose Manuel Diaz Sanchez, Asunción Zúñiga, Agustín Lozano Álvarez, Migue Juárez Antonio, Filiberto Juárez Antonio, Daniel Piña, Daniel Celin, Carlos Axel Pérez Cano, José Luis Naranjo Olivares, Everardo Hernández, Ramiro Tena.
- BRG: Andrew Liew, Tom Van Mele
- Holcim Mexico: Jose Alfredo Rodriguez, Carlos Eduardo Juarez, Delia Peregrina Rizo
Site construction coordination
- R-Ex: Alicia Nahmad Vazquez
Exhibition content, coordination, and curation
- Zaha Hadid Exhibitions & Archives: Jillian Nishi, Margaratia Valova, Daria Zolotareva, Paz Bodelon, Elena Castaldi, Manon Janssens, Woody Yao
- ZHCODE: Leo Bieling, Federico Borello, Filippo Nassetti, Marko Margeta, Henry David Louth, Shajay Bhooshan
- BRG: Mariana Popescu, Matthias Rippmann, Noelle Paulson, Philippe Block
- ETH Zurich
- NCCR Digital Fabrication
- Zaha Hadid Architects
- Steiger Participations SA
- Holcim Mexico
- Imerys Aluminates
- Boston Consulting Group
- Grupo Altiva
- UNAM Arquitectura
- Matthias Rippmann
- Marko Margeta (Animations)
- Global dimensions shell: 5.8m x 5.8m x 4.1m
- Surface area of concrete: 47.5 m2
- Weight concrete: 5 tonnes
- Weight formwork: 30 kg (cable net) + 25 kg (knit)
- Total length yarn: 350 km (= approximately the width of Switzerland)
- Type of yarn: Polyester (PES)
- Total amount of loops: 14’660’028
- Knitting time: 36 hours
- Modelling balloons used: 1000
- Material cost formwork (excluding frame): CHF 2000
Museo Universitario Arte Contemporáneo (MUAC), Mexico City 19°18'52.7"N 99°11'07.4"W